House in Monasterios by Ramon Esteve
Valencia-based studio Ramon Esteve has designed the House in Monasterios.
Completed in 2008, this two story contemporary home is located somewhere in Spain.
Ramon Esteve的《Monasterios的房子》
位于瓦倫西亞的Ramon Esteve工作室設(shè)計了Monasterios的房子。
這座兩層樓的當(dāng)代住宅于2008年完工，位于西班牙某地。
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ALSO WORTH VIEWING
House in Monasterios by Ramon Esteve
“The house is located in an elevated residential area, which is dominated by the hillside that leads down to the sea. This view marks the direction that the walls will follow, in an abstract manner, defining the project. The house is built as a compact volume of differing heights, in a style determined by the main walls.
The connecting space of this sequence of volumes is achieved by making an opening through the courtyards, in the central space of the house. Following a series of open courtyards, covered at its perimeter in the style of atriums, through which one advances in search of access to the interior and through which one obtains different perceptions of the house.
The views from any point are intersected and are never interrupted along the changing sequence, at the end of which, enclosed between walls of glass, is the lobby. Thus, there is an approach that exposes the most intimate and contained face of the house, once inside, to discover the distant view over the hillside to the sea.
Among the great defining walls, the space is enclosed by large glass panels protected by removable wooden planes, which regulate the level of closure of each piece. The house layout is designed very clearly according to the direction set by the walls and the volumes depend on the spatial hierarchy of the spaces. Two protruding volumes of wood, embodied by the chimneys, mark the counterpoint to the horizontal, which defines the entire house.”
Ramon Esteve的《Monasterios的房子》
“住宅位于一個高架住宅區(qū)，主要由通向大海的山坡主導(dǎo)。這個視圖以抽象的方式標(biāo)記了墻壁將遵循的定義項目的方向。房子被建造成不同高度的緊湊體塊，其風(fēng)格由主墻決定。
這一系列體量的連接空間是通過在住宅中心空間的庭院中開一個開口來實現(xiàn)的。沿著一系列開放的庭院，在其周邊覆蓋著中庭的風(fēng)格，通過它，一個人在尋找進入室內(nèi)的入口，并通過它獲得對房子的不同看法。
從任何角度看，景色都是交叉的，不會隨著變化的順序而被打斷，在變化的序列的末端，夾在玻璃墻之間的是大廳。因此，有一種方法，一旦進入室內(nèi)，就能看到房子最親密和包含的一面，從而發(fā)現(xiàn)從山坡到大海的遠(yuǎn)景。
在巨大的定義墻中，空間被大玻璃面板包圍，由可移動的木質(zhì)平面保護，這調(diào)節(jié)了每一塊的閉合水平。房子的布局是根據(jù)墻壁設(shè)置的方向非常清晰地設(shè)計的，體量取決于空間的空間層次。兩個突出的木材體量，由煙囪體現(xiàn)，標(biāo)志著與水平的對位，這定義了整個房子。”
